Fun in the sun with this hip and upbeat Jamaican reggae cue, featuring a driving rock/ska style rhythm section. A vibrant guitar groove introduces the vibe, followed by percussion, drums and bass. A happy steel drum melody comes in, right before a B section breakdown. All the elements come together for an upbeat reprise of the A section. Great for any tropical setting; quintessential island music!

Hip retro funk with a strong hip hop influence. Gritty bass lines and a driving drum beat keep this cue active, with plenty of ear candy along the way. Hits from the brass, and a groovy clavichord melody drive this track to a gritty funk breakdown, featuring hip guitar grooves and a medley of colorful funk sounds. Fantastic funk track to add a lively vibe to any on screen action.

This serene track with strings, piano and french horn is perfect for romantic and nostalgic scenes.

'Prelude No. 15 in D-flat major,', commonly known as the 'Raindrop Prelude' is the longest and most well-known of Chopin's Op. 28 preludes. The famous, delicate opening melody appears three times in the piece, and the middle section features some surprisingly loud and dramatic sections. The dramatic, romantic, delicate and emotional nature of the music lends itself very well to period dramas and romantic soundtracks. It has been used in the soundtrack for numerous films and TV shows, including 'Face/Off' and 'Moonraker.' This performance uses a perfectly sampled Yamaha C3 Neo grand piano, with subtle hall reverb for ambience.

'Prelude No. 1 in C major' is the first prelude of J.S. Bach's 'The Well-Tempered Clavier.' This collection of preludes and fugues in all 24 major and minor keys, dated 1722, is generally regarded as one of the most influential works in the history of Western classical music. The music consists almost entirely of rising broken chords, which gives the piece a calming, romantic and majestic quality. This lends itself very well to period drama soundtracks, and any scene where ideas of dignity and beauty need to be complemented by music. This performance uses a perfectly sampled Yamaha C3 Neo grand piano, with subtle hall reverb for ambience.

'Clair de Lune' is the third (and most famous) movement from Debussy's 'Suite bergamasque.' It begins with a slow, delicate passage that gradually builds towards a loud climax. The middle section famously consists of a dreamy melody, accompanied by soft, rolling arpeggio patterns. Eventually, the opening theme returns with slight variations, leading into a soft, subtle ending. The melancholic, dreamy nature of the piece lends itself very well to romantic and reflective scenes, and it has appeared in numerous soundtracks, including: Twilight, The Darjeeling Limited, Atonement, Ocean's Thirteen, Man On Fire, Ocean's Eleven, Seven Years In Tibet and The Game. This performance uses a perfectly sampled Yamaha C3 Neo grand piano, with subtle hall reverb for ambience.

Satie's 'Gnossiennes' were composed in the late 19th Century. He coined the word to indicate a new 'type' of composition. The musical vocabulary is a continuation of that of the 'Gymnopedies.' 'Gnossienne No. 1' is the most well-known of these compositions, and the dreamy, ambient nature of the music lends itself very well to romantic and contemplative scenes. It has been used in many TV shows and films, most recently in 'Man On Wire.' This performance uses a perfectly sampled Yamaha C3 Neo grand piano, with subtle hall reverb for ambience.

'Bagatelle No. 25 in A minor,' commonly known as 'Fur Elise,' is one of Beethoven's most popular compositions, although it was not published until 40 years after his death. The piece is in rondo form, with the famous opening melody reappearing several times throughout the piece. Almost everyone who plays the piano will have learned the first section early on, although the middle of the piece features some more virtuosic passages. 'Fur Elise' works well in period dramas and romantic scenes. This performance uses a perfectly sampled Yamaha C3 Neo grand piano, with subtle hall reverb for ambience.

Satie's 'Gymnopedies,' published in 1888 were three piano compositions, each written in 3/4 time and sharing a common theme and structure. Collectively, the 'Gymnopedies' are seen as the precursors to modern ambient music - gentle, yet somewhat eccentric pieces which, when composed, defied the classical tradition. Gymnopedie No. 2 is least well-known of the three, however the dreamy, ambient nature of the music is just as effective as No. 1 and No. 3 for romantic and contemplative scenes. This performance uses a perfectly sampled Yamaha C3 Neo grand piano, with subtle hall reverb for ambience.

Satie's 'Gymnopedies,' published in 1888 were three piano compositions, each written in 3/4 time and sharing a common theme and structure. Collectively, the 'Gymnopedies' are seen as the precursors to modern ambient music - gentle, yet somewhat eccentric pieces which, when composed, defied the classical tradition. Gymnopedie No. 3 is a well-known piece, and the dreamy, ambient nature of the music lends itself very well to romantic and contemplative scenes. This performance uses a perfectly sampled Yamaha C3 Neo grand piano, with subtle hall reverb for ambience.

Powerful and energetic rock/Latin track with some groove elements in the style of early Santana. Builds to a feel good end.

A tender, nostalgic and emotional acoustic piano track. Highly suitable for commercial videos and TV/Radio spots. The track comes in solo piano and additional ambient-pad version.