'The Girl with the Flaxen Hair' ('La fille aux cheveux de lin') is the eighth prelude from Debussy's 'Preludes, Book I.' The piece begins with a delicate arpeggio motif, from which much of the following music is derived. The piece builds in tension and volume towards a climax in the middle of the piece, before winding down for a tender, relaxing ending. The melancholic, dreamy nature of the piece lends itself very well to romantic and reflective scenes, and it has appeared in several TV and film soundtracks for this purpose. This is a solo harp arrangement, with the music transposed up slightly.

'Clair de Lune' is the third (and most famous) movement from Debussy's 'Suite bergamasque.' It begins with a slow, delicate passage that gradually builds towards a loud climax. The middle section famously consists of a dreamy melody, accompanied by soft, rolling arpeggio patterns. Eventually, the opening theme returns with slight variations, leading into a soft, subtle ending. The melancholic, dreamy nature of the piece lends itself very well to romantic and reflective scenes, and it has appeared in numerous soundtracks, including: Twilight, The Darjeeling Limited, Atonement, Ocean's Thirteen, Man On Fire, Ocean's Eleven, Seven Years In Tibet and The Game. This is a solo harp arrangement, with the music transposed up slightly.

'Prelude No. 15 in D-flat major,', commonly known as the 'Raindrop Prelude' is the longest and most well-known of Chopin's Op. 28 preludes. The famous, delicate opening melody appears three times in the piece, and the middle section features some surprisingly loud and dramatic sections. The dramatic, romantic, delicate and emotional nature of the music lends itself very well to period dramas and romantic soundtracks. It has been used in the soundtrack for numerous films and TV shows, including 'Face/Off' and 'Moonraker.' This is a solo harp arrangement, with the music transposed up slightly.

This is the famous Adagio cantabile movement of Beethoven's Sonata No. 8, written in 1798. It exemplifies the expressive Adagio style of many slow movements in the classical period. The famous cantabile melody is played three times, always in A-flat major, separated by two modulating episodes; the movement is thus a simple rondo rather than the sonata form more common for movements of this seriousness. The composition has been used many times in film and television, including 'The Man Who Wasn't There'. This is a solo harp arrangement, with the music transposed up slightly.

'Piano Sonata No. 14 in C# minor' by Beethoven, popularly known as 'Moonlight Sonata,' was completed in 1801. It is rumoured to be dedicated to his pupil, 17-year-old Countess Giulietta Guicciardi, with whom Beethoven was, or had been, in love. It is one of Beethoven's most popular sonatas. This is the first and most famous movement, and the sense of yearning and tranquility works very well as a romantic soundtrack. It has appeared in many films and TV shows, including: Glee, It's Always Sunny in Philadelphia, The Closer, Ray, Elephant, K-19: The Widowmaker and The Man Who Wasn't There. This is a solo harp arrangement, with the music transposed up slightly.

'Bagatelle No. 25 in A minor,' commonly known as 'Fur Elise,' is one of Beethoven's most popular compositions, although it was not published until 40 years after his death. The piece is in rondo form, with the famous opening melody reappearing several times throughout the piece. Almost everyone who plays the piano will have learned the first section early on, although the middle of the piece features some more virtuosic passages. 'Fur Elise' works well in period dramas and romantic scenes. This is a solo harp arrangement, with the music transposed up slightly.

'Prelude No. 1 in C major' is the first prelude of J.S. Bach's 'The Well-Tempered Clavier.' This collection of preludes and fugues in all 24 major and minor keys, dated 1722, is generally regarded as one of the most influential works in the history of Western classical music. The music consists almost entirely of rising broken chords, which gives the piece a calming, romantic and majestic quality. This lends itself very well to period drama soundtracks, and any scene where ideas of dignity and beauty need to be complemented by music. This is a solo harp arrangement, with the music transposed up slightly.

Satie's 'Gymnopedies,' published in 1888 were three piano compositions, each written in 3/4 time and sharing a common theme and structure. Collectively, the 'Gymnopedies' are seen as the precursors to modern ambient music - gentle, yet somewhat eccentric pieces which, when composed, defied the classical tradition. Gymnopedie No. 3 is a well-known piece, and the dreamy, ambient nature of the music lends itself very well to romantic and contemplative scenes. This is a solo harp arrangement, with the music transposed up slightly.

This is the famous organ march from the 1850 opera 'Lohengrin,' by Richard Wagner, regularly played for the bride's entrance at weddings throughout the Western world. In English-speaking countries it is generally known as "Here Comes the Bride" or "Wedding March." This is a performance on a pipe organ with an authentic church reverb.

Meditative Arabian-themed instrumental track, with ethnic instruments and a trip hop beat.

Cheeky, cheerful instrumental, good for animation. Warm-hearted and bouncy, light and creative.

Groovy 60s blues rock, with a huge bass riff over authentic drums, with twangy electric guitar stabs and psychedelic hammond organ riffs. Reminiscent of the Ocean's Eleven soundtrack.